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	<title>Rani Nair</title>
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	<pubDate>Wed, 21 Dec 2022 07:36:57 +0000</pubDate>
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		<pubDate>Fri, 22 Oct 2021 11:14:49 +0000</pubDate>

		<dc:creator>Rani Nair</dc:creator>

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		<description>Queert motstånd genom historien och yoga nidra för rebeller! Nu på lördag kl 15-17 i utställningshallen på @stadsbiblioteketgbg . Ta med yogamatta och kom i tid! Malin Holgersson och Rani Nair
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		<title>About</title>
				
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		<pubDate>Sun, 17 Oct 2021 19:15:31 +0000</pubDate>

		<dc:creator>Rani Nair</dc:creator>

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		<description>About
	I work as a dancer and choreographer with a special interest in decolonial practices and postcolonial aesthetics. 

 My choreographies have been programmed at the Centre National de la Dance Paris, ImpulsTanz Vienna, Spielart festival Munich, Ignite! Festival of contemporary dance Delhi, Singapore International Festival of Arts, Gothenburg Dance- and Theatre festival and at the Swedish biennial for performing arts. My work is also represented at the Performing arts museum, Dance museum in Stockholm and in the book Oxford Dictionary of Dance and Re-enactment. 
&#38;nbsp;
Memory and archive is a recurring thematic in my work, firstly through a reconstruction of my inheritance of Kurt Jooss’ last choreography, Dixit Dominus, created for the Swedish based Indian dancer Lilavati, and later as a second order performance, a performance about the performance, Future Memory.

	In An evening with Astad I performed together on stage with Astad Deboo, a pioneer of Indian contemporary dance and took a closer look at his early avantgard solos from the 1970-80s.
My latest work Memory Lab explores how the audience can embody other people's memories. 
I’ve also participated in the curation of Ong Keng Sen in the Archive Box, an exchange between Japanese dance makers and artists of the Indian contemporary dance scene.


Guest teacher at SKH Uniarts, Stockholm Sweden
200 h YTT Yoga Instructor

Member of the art group Ful

Papers on my work

Elswit, Kate “Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance’s Alternative Histories” (with Rani Nair). In The Handbook of Dance and Reenactment (2017), ed. Mark Franko. New York: Oxford University Press, 177-214.
Cogne, Ingrid and Hedemyr, Marika; ed The Mob Without Flash (2016).

Elswit, Kate “Inheriting Dance’s Alternative Histories”. Dance Research Journal, 46.1 (2014), 3-22

Chatterjee, Sandra (2013). “Entangled Histories and Kinesthetic Connections: Memory, Heritage and Performance in Rani Nair’s Future Memory. In Nordic Forum for Dance Research/Society of Dance History Scholars, Conference Proceedings. Norwegian University Of Science And Technology (NTNU) Trondheim, Norway 2013: Published By The Society Of Dance History Scholars: 89-97. 

Hammergren, Lena. 2009. “The Power of Classification.” In Worlding Dance, edited by Foster, Susan Leigh, 14–31. New York: Palgrave Macmillan

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		<pubDate>Sun, 17 Oct 2021 19:15:32 +0000</pubDate>

		<dc:creator>Rani Nair</dc:creator>

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		<description>
Rani Nair 



LICA

In Search of Amooma’s Dance
Memory Lab
An Evening with AstadFuture Memory 
Co-production
Excerpts
Press

Email
Vimeo
Instagram
Live room ©2022 Rani Nair



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		<title>LICA</title>
				
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		<pubDate>Tue, 20 Dec 2022 08:29:26 +0000</pubDate>

		<dc:creator>Rani Nair</dc:creator>

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		<description>LICALund International Choreography Assembly (May 15-20, 2024) disrupts dominant narratives through global artists. Their embodied stories unearth erased histories and challenge sanitized versions of the past.&#38;nbsp; Ephemeral dance becomes a tool for reclaiming silenced voices and confronting suppressed narratives. The artists explore themes of forbidden expression and collective transformation, inviting us to co-create a future informed by diverse truths.


collective amnesia
- choreographic excavation of suppressed narratives -


Denise Palmieri, Sandra Chatterjee, Rani Nair, Alex Blum, Ray Roa&#38;nbsp;Alonso
Page 28, 17 maj kl 19:30

Skissernas Museum, 18 maj kl 12:34 - 14:15

LICA is produced by Embassy of Movement

LICA#4 genomfördes i samverkan med Konstnärsnämndens internationella dansprogram, Statens kulturråd, Region Skåne, Lunds kommun, Skissernas Museum, Page 28, Riksteatern Lund, Dansalliansen, Danscentrum Syd.
 


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LICA#4  17 maj på Danscentrum Syd och Page 28, Malmö18 maj på Skissernas museum, Lund&#38;nbsp;* * * Denise Palmieri, Sandra Chatterjee, Alex Blum and Ray Roa&#38;nbsp;Alonso * * *&#38;nbsp;
Supported by and collaborators:&#38;nbsp;Statens Kulturråd, Region Skåne, Lunds kommun, Skissernas Museum, Riksteatern Lund, Dansalliansen, Danscentrum Syd, Page 28* * * *&#38;nbsp; &#38;nbsp; &#38;nbsp; workshop by alex blum&#38;nbsp; &#38;nbsp; &#38;nbsp; * * * * 
Queer Movements and Ephemeral MemorialsFriday May 17, 2024, at 11:15 - 16:30, Danscentrum Syd, Malmö.

Guided by trans* dancer and choreographer alex blum, we invite you to join a workshop for the speculative exploration of queer movements and ephemeral memorials. We will be working with the archives of Nordic queer liberation, for instance the history of the Danish Gay Liberation Front and their activism against the so-called ‘Dance Ban’, which for decades forbade same-sex couples from dancing together in the public sphere. 

Through touch-based body work, improvisation, collective mind-mapping and critical fabulation, we’ll embody a research of the queer potentials and politics of the dancing body. Everybody is welcome, but this is a space meant to celebrate lived experiences of queerness and transness, so show up with an intention to amplify queer joy.Apply before 29 April: by&#38;nbsp;sending your cv and a few words on why you want to take part:&#38;nbsp;embassyofmovement ( at ) gmail.com&#38;nbsp;Subject: LICA#4, Workshop 17 maj
 I mailet anger du om du är: - Anställd av Dansalliansen- Medlem i Danscentrum - Frilansande konstnär (utan anställning i Dansalliansen eller medlemskap i Danscentrum)
 17 maj kl 19.30 Page 28 MalmöPerformance Lecture with alex blum - at Page 28 17 May at 19.30
Trans* choreographer alex blum (DK/NL) invites us into their research archive with small queer movements towards critical fabulation. In this work sharing, alex will share excerpts and reflect upon their artistic research series PÅ TRODS, which seeks performative methods to commemorate queer movements in both history and futures.

As a series of ephemeral memorials to a past of forbidden caresses and a future of tender touches, PÅ TRODS is meant to commemorate the dance actions of the Danish Gay Liberation Front and other queer movements in spite of repression and queerphobia. The aim is to empower the dancing bodies and their political impact by asking: How do the dance actions of the 1970s live on in today's queer bodies, and what can the memory of the Dance Ban tell us about society's forbidden movements? What does queer dance and performance styles, such as voguing and waacking, offer to minoritised bodies? What do political communities with a bodily practice at the center offer?



* * * *.&#38;nbsp; &#38;nbsp;&#38;nbsp; * * * *.&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; * * * * Invited artists&#38;nbsp;* * * *.&#38;nbsp; &#38;nbsp;&#38;nbsp; * * * *.&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; * * * *

 Denise Palmieri&#38;nbsp;

Denise Palmieri, a performance artist and curator currently based in Vienna. MA in Visual Arts and Performing Arts by the Academie of Fine Arts Vienna, in her work as a performance artist she explores the connection between experience and consciousness, examining the ritualistic and political aspects of the body and voice, while also challenging traditional approaches to knowledge production.

In 2020, Palmieri became co-president of the Austrian Association of Women Artists (VBKÖ). In her role as a curator, she addresses the theme of the "politics of care" across diverse disciplines. Her responsibilities involve fostering an inclusive artistic community among queer-feminist artists.

Sandra Chatterjeehttps://www.sandrachatterjee.net/

Dr. Sandra Chatterjee (sandra.chatterjee@plus.ac.at) is a scholar and choreographer interested in involving senses that are not usually foregrounded in dance, such as smell—most recently Smells of Racism and Smells of Coexistence. She is on the research team of the project Border-Dancing Across Time (Austrian Science Fund/FWF P 31958-G) at the University of Salzburg, and is co-organizing CHAKKARs - moving interventions to facilitate intersectional anti-racist, postmigrant, and decolonizing approaches to dance. Recent publications: “Dancing out of Time and Place: Memory and Choreography in the South Asian Diaspora in Continental Europe” (In Routledge Handbook of Asian Diaspora and Development, 2021) and “Queerings and Crossings: The Post Natyam Collective’s ‘The Sins of Such Wonderful Flesh’” (with Cynthia Ling Lee and Shyamala Moorty, in The Palgrave Handbook.PhD, UCLA
2012- 2016 as postdoctoral researcher at the Department of Art, Music and Dance studies, University of Salzburg)
Alex BlumInstagram - @placenta___.
alex blum (they/she) is a trans* choreographer, performer, political educator, and somatic activist based between Copenhagen and Amsterdam, where they are currently graduating from the School for New Dance Development (SNDO). With their artistic work, alex researches the political economy of our senses in relation to legacies of queer resistance towards and healing from the colonial gender binary. 



Raymond Roa Alonso&#38;nbsp;http://www.roadans.com/ 

Ray Roa Alonso is a Anglo/Filipino contemporary dance artist based in Copenhagen, who has used his work to explore themes of social connections, fluid realities, queerness, and representation. Ray is known for his strong non-linear artistic interpretation which embodies subtle provocations using movement and visual imagery. His work is evoked from personal stories emanating from colourful lived memories as a Filipino ‘balikbayan’ to surface stories of (trans-)formed identities in order to confront the audience with the affects of subtle discrimination, queer acceptance, and topical social discourse.Founding member of P-noise collective which is based in Copenhagen Denmark.

EDUCATION:
• 2010-12 Skolen for Modern Dance DK: Masters points
• 2001-02 London Contemporary Dance School: Post Graduate
• 1999-2001 Northern School of Contemporary Dance: BA Honors

LICA#3&#38;nbsp; 2023 på
Skissernas Museum i Lund 27 - 29 april
Ögonblick fr 2023


TACK alla konstnärer, dansare, performers, deltagareOvan ser ni en kort dokumentation av ett fantastiskt arbete. Stor tacksamhet riktas till: Mia Habib, Diana Anselmo, Thais Di Marco, Raymond Roa, Emma Ribbing, Roula Samiotaki, Jerry Pedersen, Anders Duckworth, Sybrig Dokter, Escarleth Pozo, Anastasiia Krasnoshchoka, Maya Dalinsky, Eden Keflai, Maria Arkouli, Alex Blum, Sandy Ceesay, Isabella Khanamidi, Paolo de Venecia Gile, Maria Naidu, Julie Nioche, Ranya Asadi, Shreekripa Balasubramanian, Bipin Chacko, Ramprasad Ramakrishnan , Karthik Balachandran, Sravanthi Emani, Sajith Nair, Sandhya Nair, Dana Lötberg, Gabriella Voss, Shashank Acharya, Jayasri Vijaykumar, Shambhavi S Rao, Pangea Scenkonst, Amandus Pereira Kraftling, Carolina Petersson, Fronesis, Konstgruppen Ful, Moa Johansson, Nasim Aghili och Malin Holgersson



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LICA Lund International Choreography Assembly har arrangerats 3 gånger sedan starten 2015. Inför LICA#3, april 2023 på Skissernas museum i Lund, fick vi in 97 ansökningar från lokala och internationella danskonstnärer som önskade delta.&#38;nbsp; Vi vill nu utveckla ett långsiktigt sätt att arbeta för att skapa hållbara arbetsmetoder och återkommande händelser relevanta för dansfältet, med Lund som bas, med upptagning från Öresundsregionen och internationellt.



	
15-20 maj 2024
Lund International Choreography Assembly #4
collective amnesia- choreographic excavation of suppressed narratives - Denise Palmieri, Sandra Chatterjee, Alex Blum, Ray Roa Alonso
LICA#4 disrupts dominant narratives through global artists. Their embodied stories unearth erased histories and challenge sanitized versions of the past.&#38;nbsp; Ephemeral dance becomes a tool for reclaiming silenced voices and confronting suppressed narratives. The artists explore themes of forbidden expression and collective transformation, inviting us to co-create a future informed by diverse truths

	Programme

Page 28, 17 maj kl 19:30
www.kulturcentralen.se
Skissernas Museum, 18 maj kl 12:34 - ca 14:15
www.ticketmaster.se

by Embassy of Movement

LICA#4 
Statens Kulturråd, Region Skåne, Lunds kommun, Riksteatern Lund, Dansalliansen, Danscentrum Syd, Skissernas Museum, Page 28, Konstnärsnämndens Internationella Dansprogram







Download presskit ↓

 
	Organiser

The Embassy of Movement is a platform&#38;nbsp; based in the region of Skåne, south of Sweden. Dedicated to decolonial practices, collaborative works and participatory arts.&#38;nbsp;
Ambassadors at the moment are Rani Nair, Maria Stålhammar&#38;nbsp;
	





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		<title>Memory Lab</title>
				
		<link>https://raninair.se/Memory-Lab</link>

		<pubDate>Sun, 17 Oct 2021 19:15:32 +0000</pubDate>

		<dc:creator>Rani Nair</dc:creator>

		<guid isPermaLink="true">https://raninair.se/Memory-Lab</guid>

		<description>A participatory dance performance 
in the dark.
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Memory Lab is a performance that, like many of my previous works, revolves around memories and dance. 
&#38;nbsp; &#38;nbsp; 
Already in 2003 I inherited the work Dixit Dominus, choreographed by Kurt Jooss for the Indian dancer Lilavati living in Sweden. In my work Future Memory (2012/2014), memories are processed from a postcolonial and highly personal perspective where the intersections of the meetings between Western dance canon and an Indian contemporary and traditional dance are explored.&#38;nbsp;
How can dance, movements or rather memories of movements be inherited and carried on?

	These questions filter through my work, An evening with Astad, where I, together with Astad Deboo, 72, a pioneer of contemporary Indian dance, explore histories and memories. An evening with Astad had its 2017 premiere in Lund and played last summer in Munich within a project on post-migrant dance. 
Memory Lab explores how memories can live on and be embodied with the help of the audience members. 
Participatory choreographies that shift our conceptions of canon and traditions, while at the same time, through the physical and immediate participation of the body, we experience a unique closeness to memories – both our own and of others.&#38;nbsp;



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	Performed at

Riksteatern turne hösten 2021

Nordiska Akvarellmuseet - SkärhamnLandvetters Kulturhus - Landvetter
Högsgården - Hudiksvall
Ritz - Arvika
Byteatern - KalmarNorrlandsOperan - Re-think festival, Umeå

My Wild Flag festival - Mdt Sthlm Stockholm
Dansmässan - StockholmEareye Festival - Inkonst, Malmö
Trinity Laban - London, UK
Fest en fest - Colchester Art Centre, UK
Stenkrossen - Lund, Sweden
Funded by 


Arts council of Sweden, City of Lund, Stenkrossen.
Developed

 through residencies at the Inter Arts Centre Malmö and Ufer Studio Berlin, Arts Grants Committee of Sweden International Dansprogram.

Memory lab 2.0 premiered September 2021A new version of Memory Lab, semi-digital hybrid version, developped in co-production with NorrlandsOperan, with streaming to individuals in their homes, is now also available.&#38;nbsp;



	Artist team

Rani Nair: Concept and performer
Cecilia Höglund: Graphic design
Nasim Aghili: Dramaturgy
Joanna Ekström: Costume and set
Aida Keflai: Styling
Malin Holgersson: Sound consultant

 Memory Lab is a continuation of previous works connected to the inheritance of Dixit dominus among them the reconstruction of Dixit dominus with Maria Naidu and Marito Olsson Forsberg as rehearsals directors and Future Memory with Kate Elswit as historian and dramaturg.Memory Lab is a continuation of previous works connected to my inheritance of Dixit dominus among them the reconstruction of 
Dixit dominus with Maria Naidu and 
Marito Olsson Forsberg as rehearsals directors and Future Memory with Kate Elswit as historian and dramaturg. 






	
	Tack! Konstgruppen Ful, 
Gisle, Lea, Mira, Ravi, Amar, Leila och Yara, Victoria Da Cruz, 
Victoria Larsson, 
Sita Verma,
Catharina Mohlin Cristianson
	


 


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Material


Technical riderProgram sheet (EN)</description>
		
	</item>
		
		
	<item>
		<title>In Search of Amooma's Dance</title>
				
		<link>https://raninair.se/In-Search-of-Amooma-s-Dance</link>

		<pubDate>Wed, 21 Dec 2022 07:36:57 +0000</pubDate>

		<dc:creator>Rani Nair</dc:creator>

		<guid isPermaLink="true">https://raninair.se/In-Search-of-Amooma-s-Dance</guid>

		<description>In Search of... Amooma’s Dance&#38;nbsp;


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In search of… Amooma’s Dance
Let us join together in remembering the beautiful harvest festival reminiscent of the South Indian festival Onam we all knew once upon a time. Rejoice in swinging on swings, dancing and singing some native and not so native songs from the region of Kerala, playing games and having a sumptuous vegetarian meal on a banana leaf - Sadya.

“Ett av mina vackraste dansminnen är när jag dansar med min farmor under firandet av Onam i Kerala, Indien för nästan femton år sen. Min farmor fyllde samtidigt 90 år. Och det var första gången jag var med och firar denna högtid. Onam infaller lite olika i förhållande till vår kalender. Den bestäms enligt malayalam kalendern som i sin tur följer rörelserna i himlen, månen och stjärnornas förhållanden. Men högtiden infaller alltid i slutet av regnperioden, så allt är grönt, frodigt och solen har inte hunnit göra det brännande hett. Klimatet bjuder in till festligheter. Detta var första gången som alla min pappas syskon var samlade samtidigt som jag var där. Alla hade klätt sej fina. Vi hade traditionsenligt hängt upp en gunga mellan kokospalmerna. Vi turades om att gunga varandra däri. Musiken spelade från en skraltig högtalare. Plötsligt reser sej farmor och börjar dansa - och jag minns att alla försöker få stunden att vara så länge som möjligt Nu har sökandet påbörjats, en upptäcktsfärd i delad dans.”Rani Nair

“One of my most beautiful dance memories is when I danced with my grandmother during the celebration of Onam in Kerala, India almost fifteen years ago. My grandmother turned 90 at the same time and it was the first time I was there to celebrate this holiday.

Onam is celebrated at different timings every year, in relation to the western calendar. It is determined according to the Malayalam calendar which follows the astronomical and astrological positions of the moon and stars. However, the holiday always falls towards the end of the monsoon season, so everything is a lush green, and the sun has not had time to make its scorching presence felt. Thus creating an inviting atmosphere for the festivities. There were marigolds hung everywhere and the smell of jasmine was in the air.

This was the first time all of my dad’s siblings were at the same place at the same time! Everyone was dressed in festive clothing, beautiful white saris with gold borders and crisp white mundus. According to tradition, there hung a swing between the coconut trees. We took turns rocking each other in it. Festive Malayalam songs played from a loudspeaker. Suddenly, grandma gets up and starts dancing – and I remember everyone trying to make that special moment last as long as possible…”Rani Nair

https://fulkonst.se/Farmors-danshttps://chakkars.de/portfolio-item/rani-nair-01/

13 Aug 2023

Tid: kl.11:00 - 15.30

What to expect:• Swinging and singing• Dance-along• Silent Disco• Childhood games• Face-painting• Sadya (Traditional vegetarian Indian meal on a banana leaf) by Maria's Kitchen.
For all those of you who might miss In Search of... Amooma’s dance on the 13th of August can still experience a bit of the magic in our singing and kollam workshops . Singing - 11th Aug 16:00-17:00 &#38;amp; Kollam - 12th Aug 10:00 - 12:00.
Contact : 0734867665
Venue: Koloniföreningen, Öster 1, Östra Fäladsvägen, Lund.

Hosted by Embassy of Movement: Rani Nair and Mrinalini D’souza

Arrangör: Embassy of Movement med stöd från Kulturrådet, Region Skåne och Lunds kommun

If the event is fully booked, we will investigate the possibility of holding another one within a month. Please email us at –embassyofmovement(at)gmail.com
&#38;nbsp;


	Lunds evenemangskalender
EXTRA Choreographic walk 9 september at 15.30 och 17.00Guest artist Vidhi SharmaHosts Mrinalini D’souza and Rani Nairopen for anyone whos interested in dance Fri entré


 Contact: embassyofmovement@gmail.com 
Follow on Instagram ↗The Embassy of Movement is dedicated to decolonial practices, collaborative works and participatory arts. The platform is based in the region of Skåne, south of Sweden. 









 
	Nuvarande ambassadörer:&#38;nbsp;

Rani Nair
Maria Stålhammar
Mrinalini D’souza


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	Genomförs med stöd från

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</description>
		
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	<item>
		<title>An Evening with Asad</title>
				
		<link>https://raninair.se/An-Evening-with-Asad</link>

		<pubDate>Sun, 17 Oct 2021 19:15:33 +0000</pubDate>

		<dc:creator>Rani Nair</dc:creator>

		<guid isPermaLink="true">https://raninair.se/An-Evening-with-Asad</guid>

		<description>A biographical dance that retells histories that have not yet been written.
Memorial exhibition Mumbai
presentation 10 December

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	An Evening with Astad deals with ideas of dance history and archive between two continents. 
The piece focuses on the experimental 1970s and ‘80s solos of Astad Deboo, a pioneer of contemporary Indian dance who just turned 70 and whose career spans almost fifty years and five continents. On stage with Deboo, I take on the role of an archivist and biographer, cataloguing Deboo’s choreography and stories, and finding new ways to share those with an audience. Deboo explains that technology and money meant his earlier work was never recorded, but “now Rani turns the clock back and ...it’s amazing to see how much the body remembers.”&#38;nbsp;
	The relational duet form of An Evening with Astad offers a new point of access to this formidable artist — the who of a life story, rather than the what. What results is not only a biography of Deboo himself, but also a personal, intergenerational chronicle of contemporary Indian dance, one that time-travels both backward and into the future.By dancing together on stage now we have the chance to propose new ideas of what contemporary dance can be, and which bodies are allowed to do so. 





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Hommage Astad Deboo &#38;lt;3 Ful&#38;nbsp;



	Artistic team

Rani Nair: Concept and performer
Astad Deboo: Performer
Kate Elswit: Dramaturg/Historian
Josefin Hinders: Light design
Samar Jabri : Sound consultant
Cecilia Höglund: Graphic design
Kubkub: Visuals
Malena Sjöstedt: Production


	Developed with support from and during residencies/platforms at

LICA – &#38;nbsp;Lund International Choreography Assembly
Skånes DansteaterSommarLund
 Dansstationen&#38;nbsp;–&#38;nbsp;Plattform för ny dans 
Embassy of India, Stockholm
Gati Dance Studio Delhi
Adishakti Theatre Laboratory, Pondicherri
Linz – Symposium Dance &#38;amp; Migration
Milvus Artistic Research Centre
Inter Arts Centre Malmö


 



	
	Tack!
	



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</description>
		
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	<item>
		<title>Future Memory</title>
				
		<link>https://raninair.se/Future-Memory</link>

		<pubDate>Sun, 17 Oct 2021 19:15:33 +0000</pubDate>

		<dc:creator>Rani Nair</dc:creator>

		<guid isPermaLink="true">https://raninair.se/Future-Memory</guid>

		<description>What does it mean to inherit a dance?

	
&#60;img width="1023" height="682" width_o="1023" height_o="682" data-src="https://freight.cargo.site/t/original/i/f61698d47946d065e1e4b259d9fdceb53821236bc0af903fa3ad19a953b876c9/FutureMemory_03.jpeg" data-mid="121939904" border="0"  src="https://freight.cargo.site/w/1000/i/f61698d47946d065e1e4b259d9fdceb53821236bc0af903fa3ad19a953b876c9/FutureMemory_03.jpeg" /&#62;


	German choreographer Kurt Jooss made his last piece Dixit Dominus in 1975 as a gift for Swedish-based Indian dancer Lilavati Häger, who gave it to Rani Nair to reconstruct in 2003. Future Memory (2012) returns to Dixit, this time focusing not on the choreography but on the stories around it. It is a second-order performance — a performance about a performance — that uses the personal responsibilities of inheritance to move towards larger questions of history, memory, and legacy. A review from the premiere described it as combining “Humor, warmth, and intellectual sharpness, all in one.” With a combination of gentleness and challenge, Future Memory embraces the possibility of an alternaive history, one in which a “minor” dance takes ten years of another artist’s life, and where insider and outsider are more complicated than we might think. 

	 Here both identity and dance history are understood not in terms of Indian versus Western European, but in a hybrid way that uses real and imagined archives to allow for shades of Indianness, Swedishness, and Germanness.&#38;nbsp;Nair’s one-hour solo uses dance, spoken text, film, and singing in more and less spectacular forms. There are moments when audiences are invited to touch and smell. And there is a duet between a hair-dryer and a costume that was never worn in performance.


&#60;img width="1248" height="1770" width_o="1248" height_o="1770" data-src="https://freight.cargo.site/t/original/i/0d6053dbc2688808a3644d46cdfe8ec3ec717fb8b72c9f67f0a9efb85e6aa6d4/FutureMemory_Poster.png" data-mid="126810263" border="0"  src="https://freight.cargo.site/w/1000/i/0d6053dbc2688808a3644d46cdfe8ec3ec717fb8b72c9f67f0a9efb85e6aa6d4/FutureMemory_Poster.png" /&#62;


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	 Performed at

Dansstationen - MalmöLunds Konsthall - LundPerforming Arts Biennaln- JönköpingFestival of Dance and Cultural Heritage - Skånes Dansteater, Malmö 
The Royal Institute of Arts - StockholmThe House of Dancen - StockholmSalzburg Experimental Academy of Dance - SalzburgIGNITE! Festival of Contemporary Dance - New DelhiImpulsTanz - Vienna
Singapore International Festival of Arts Stenkrossen - Lund
	Artistic Team 
Concept, Choreographer, Performer: Rani NairDramaturg, historian: Kate ElswitStyling: Amanda WickmanTechnical consultant: Tobias HallgrenGraphic designer: Cecilia Höglund
Press



&#60;img width="457" height="392" width_o="457" height_o="392" data-src="https://freight.cargo.site/t/original/i/cc8b9a96521891a926906b02528477258d30df6cc7599f68a5032421ea81e8d9/-Sydsvenskan.png" data-mid="126818890" border="0"  src="https://freight.cargo.site/w/457/i/cc8b9a96521891a926906b02528477258d30df6cc7599f68a5032421ea81e8d9/-Sydsvenskan.png" /&#62;
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Material


Technical rider
A4 programme sheet
Image press pack





Tack!


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	<item>
		<title>Co-production</title>
				
		<link>https://raninair.se/Co-production</link>

		<pubDate>Wed, 10 Nov 2021 09:11:28 +0000</pubDate>

		<dc:creator>Rani Nair</dc:creator>

		<guid isPermaLink="true">https://raninair.se/Co-production</guid>

		<description>Co-production:&#38;nbsp;Rani Nair ❤️ Ful
	
Collaborative works have always been a big part of my practice. 
During the pandemic it  became a necessity and also as a way to work in more sustainable processes. In tight collaboration with the art group Ful we co-produced Finding Sisterhood and Baba Karam - through Jamileh and Khordadian. Read the short summaries below or follow the links for further presentations on the website of Ful.



	Finding Sisterhood ↗Online space&#60;img width="300" height="300" src="https://freight.cargo.site/w/300/q/94/i/340917a43a8d9ae468f3ec6bec7e7384bf01f34e9c7f73c318627c5f3707e438/brev-invite-01.gif" style="width: 247.77258747100828px; height: 247.77258747100828px;" data-scale="71"&#62;The art group Ful welcomes all siblings to the Act of Love/Act of Solidarity/Performance series/Dream Finding Sisterhood*! A decolonizing and queer feminist mapping. Together with the art duo aghili/karlsson, Finding Sisterhood presents Correspondence / Finding Sisterhood / Online Space - an online venue with more than 30 unique works made for the Art Group Ful and Finding Sisterhood.The audience navigates between performances in the public space, artist talks, dreams of a better art scene and tributes to some of the artists who’ve changed the dance and performance scene forever. The repertoire includes the choreographer Mandeep Raikhy's video diary from their performance tour in India, the anti-nationalist project The Secular Project and performance works created for a digital stage by Rani Nair, Amanda Piña, Malin Holgersson, Nasim Aghili, Timimie Märak, ButchFemmeAB and many more - sisterly presented by Lilit Asiryans playful design of Ful’s digital body.
	Baba Karam ↗

&#60;img width="2947" height="1965" src="https://freight.cargo.site/w/2500/q/75/i/ee84dc86379d728b44a59fdc587c7188752827c7b3547a579bacdfa11c3f0e85/Screenshot-2021-07-31-at-23.48.42.jpg" style="width: 348.9754753112793px; height: 232.68978927270575px;"&#62;Welcome to a participatory dance performance based on baba karam – our favorite Iranian dance form! Three performers and a DJ invite you to dance and listen to memories of dance, in a room inspired by queer clubs and separatist parties where everyone gets to dance for and with one another. The work is also a tribute to the two influential and well-known American-Iranian choreographers Jamileh and Mohammad Khordadian, who have encouraged millions of people all over the world to dance. Their important work has expanded the boundaries for what dance can do and mean to people. For many, they have also been influential in framing a dance created in diaspora. With this performance we invite you to a space for dance and interaction that challenges and overthrows traditions and norms in the field of dance and Western performing arts. Through the popular dance of baba karam, with queer desires always present, we also want to explore drag from a perspective that does not necessarily reproduce the given truths of a white, Western drag tradition. We welcome expressions and traditions created within the diaspora and the decolonial field of thinking and art making.



	Artist team:
Artistic Leaders Finding Sisterhood: Nasim Aghili and Rani Nair (in collaboration with Malin Holgersson)Graphic design: Hanne LindbergWeb design/development: Lilit AsiryanIllustration: Shabnam FaraeeProducer: Johanna Gustafsson &#38;nbsp; &#38;nbsp;
	Artistic team:
Concept and idea: Ful (Nasim Aghili, Malin Holgersson, Rani Nair)Performers: Parwin Hoseinia, Rani Nair, Jafar the Superstar and Rasuul (George Chamoun)Dance memories: Sepideh Khodarahmi, Ardeshir Bibakabadi, Romina Houshmand, Khaled Alesmael, ZIKO Hama Direction and script: Nasim AghiliChoreography: Rani Nair together with the ensembleInterviews and editing of dance memories: Malin HolgerssonJafar the Superstar’s monologue: Edwin SafariSet design: Björn KarlssonCostume: Björn Karlsson and Nasim Aghili together with the ensembleAssistant director: Alejandra GoicMakeup designer: Susanne ÅbergVideo: Nemo Stocklassa HindersSound video: Agnieszka LewalskiLight video: Jonathan Winbo2nd assistant camera: Lukas WigardtGraphic design: Hanne Lindberg and Sepidar HosseiniProducer: Johanna Gustafsson





	
	Tack!
	


 


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